September ssions

Accelerator is an exhibition space where art, science and societal issues meet. It is part of Stockholm University. The mission of Accelerator is to engage actively with society, producing exhibitions presenting international and Swedish contemporary art.

Accelerator organises a public programme of presentations and talks with artists, researchers, students and the general public. Accelerator’s programme is driven by an ambition to contribute towards a transparent and empathetic society by opening up opportunities for art to spark discussions and interdisciplinary dialogue.

OPENING HOURS
Thursday: Opening Night (Pre-Opening, invite only) 18:00–21:00
Friday: 11:00–17:00 (Preview open to the public)
Saturday: 12:00–16:00 (Official opening day)
Sunday: 12:00–16:00


DURING THE FESTIVAL


Saturday 12.9, 12:00–14:00
Performance: WonderWaves – Anna Öberg with Elize Arvefjord and dancers Viktor Fröjd and Jon Bugge Mariussen
Location: Accelerator
WonderWaves is a choreographic installation at the intersection of dance, sculpture, and sound art. The work is inspired by partner dance as situated knowledge and by transmission as both a choreographic and speculative method. At its core is the question of how non-verbal, collective experiences can deepen our relationship to both our surroundings and one another.

A wooden floor with built-in speakers serves as both a dance floor and an audience space. The installation is activated by dancers Viktor Fröjd and Jon Bugge Mariussen, who have backgrounds in house and folk dance, respectively.

WonderWaves, 2026, presented at Accelerator, is a continuation of Landscapes (2025) with dancers Viktor Fröjd and Jon Bugge Mariussen.

WonderWaves is a part of the exhibition The Owl of Minerva.

Saturday 12.9, 14:00–15:00
Performance: Answer me, Pythia – Ongoing Ventriloquism Research
Stina Fors

Was the Nutcracker the first ventriloquist dummy — or merely a mouth waiting for a voice? Ventriloquism has been described as divine, demonic and comical — depending on who is listening. Answer me, Pythia continues this tradition.

Answer me, Pythia is Stina Fors’ ongoing work with ventriloquism as an artistic practice. The work focuses on the ventriloquist dummy as an instrument: rhythm, voice and mechanics rather than character. The performance explores the relationship between body and object, between different voices, and what happens when the voice no longer naturally belongs to the body we believe it comes from.

Answer me, Pythia is a part of the exhibition The Owl of Minerva.

The Owl of Minerva –– Absalon, Stina Fors, Hassan Khan, NUG and Öberg/Arvefjord

The exhibition The Owl of Minerva takes as its starting point questions about how knowledge arises and is valued. The title alludes to German philosopher Hegel’s idea that understanding an era becomes possible only in retrospect—“Minerva’s owl takes flight only at dusk”—and is an invitation to reflect on what counts as knowledge and when. The exhibition presents works by five artists: Absalon, Stina Fors, Hassan Khan, NUG and Öberg/Arvefjord. Through installation, performance, painting, sound, and video works, the artists explore ways knowledge can be conveyed. Visitors are met with various expressions of bodies in motion, voices and rhythms.

Within September Sessions 2026, Accelerator will host 2 performances as a part of the exhibition The Owl of Minerva.

Aerpiemaahtoe – Sissel M Bergh, Julia Rensberg, Elme Ämting and Avant Joik

Aerpiemaahtoe invites visitors to reflect on how different knowledge systems shape our individual worldviews and whose lived experiences are recorded in history. The exhibition is presented by Accelerator and Gaaltije Saemien Museume in Staare [Östersund] in collaboration with Bildmuseet in Ubmeje [Umeå] and features works by the artists Sissel M Bergh, Julia Rensberg, Elme Ämting and Avant Joik. The artists work with installation, sculpture, video, sound and performance.

Further information on the exhibitions and performances here.

https://acceleratorsu.art

Frescativägen 26A, 114 18 Stockholm

Antics is a gallery located at Hudiksvallsgatan in Stockholm. We, the artists Max Ronnersjö and Katarina Sylvan, consider it an artwork in its own right and an investigation into art’s intrinsic value vs. its use-value, explored through a conscious use of marketing, documentation and paratexts. Antics’ conception was inspired by the tradition of artist-run galleries, but primarily by a lack of space for conceptual practices in the Stockholm art scene, be them local or international. However, we do not exclusively exhibit artists explicitly working within the legacy of Conceptual Art, as the criterion is more interesting as a thought than it would be in practice. Antics has been a way for us to take an active part in the Stockholm art scene and to vitalise it — a mission as philanthropic as it is egoistic as we are simultaneously creating the art scene we want to work within as artists. This does not correspond to expecting everything we do to be ”successful” in the eyes of others, nor is that important to us. It is important for us that what we do has good intentions and a sense of urgency. It has to be do-able according to our personal finances and means and we have to preserve a sense of freedom. We also change our minds all the time. We do a show whenever we think there is momentum and we feel excited for it. An artist is often invited to show with us because we’d look forward to talking with them about art. Perhaps you could say that we’re in it for the good conversation. Pleasure is the driving principle. Sometimes not many people show up. Sometimes way too many. Quantity is not important.

OPENING HOURS
Thursday: 17:00–20:00
Friday-Sunday: 12:00–16:00 
Additionally open by appointment

DURING THE FESTIVAL


Thursday 10. 9, 17:00–20:00, Opening: Art Club2000


https://www.antics.se

Hudiksvallsgatan 8, 113 30 Stockholm

Beau Travail is an artist-run gallery founded by Marie Karlberg in Stockholm in February 2024. With a focus on multidisciplinary, project-based work, the space forgoes exclusive representation in favor of a collaborative curatorial model shaped closely with exhibiting artists. Beau Travail positions itself as a responsive and artist-first platform within the contemporary art landscape.

OPENING HOURS
Saturday: 17:00–20:00


DURING THE FESTIVAL


Saturday 12.9, 17:00–20:00, Opening: Super – Bill Hayden

https://beautravail.se

Skånegatan 108, Stockholm

Since it’s opening in 2006, Bonniers Konsthall has commissioned and exhibited works by numerous Swedish and international artists. As a non-collecting institution, Bonniers Konsthall works closely with artists to realize their visions and engages diverse audiences through a range of programmes and publications. Conveying the new is central to our work. Bonniers Konsthall has its roots in the Maria Bonnier Dahlin Foundation, which was created in 1985 by Jeanette Bonnier in memory of her daughter Maria, and which yearly awards grants to young artists.

OPENING HOURSThu-Sun: 12–18


DURING THE FESTIVAL


Saturday 12.9, 16:00–17:00
Performance: The Defeated: Testimony – with Etienne Glaser, Felicia Mulinari and Saga Gärde
TICKETS

A literary collage by director Saga Gärde with texts by Felicia Mulinari and Peter Weiss.

In 1966, Peter Weiss gave the famous speech "I Come Out of My Hiding Place" at a conference in Princeton, where he describes his journey from a kind of artistic withdrawal to an open political commitment. Today, poet Felicia Mulinari writes a poetics of curse, where curse and accusation are explored as a literary form to construct a contemporary aesthetics of resistance. In the alternation between Weiss and Mulinari, Saga Gärde's collage opens a space where questions of defeat, lack of resistance and responsibility can be articulated. Actor Etienne Glaser, and his relationship to Weiss, actualize the question of what it means to continue a political theatre tradition. The work concludes with a conversation in which the audience is invited to participate.

The Defeated: Testimony is in Swedish and is a part of Bonniers Konsthall’s exhibition The Defeated: The Aesthetics of Resistance 2026

The Defeated: The Aesthetics of Resistance 2026
Zbyněk Baladrán, Chiara Bugatti, Ali Cherri, Öyvind Fahlström, Harun Farocki, Jean-Luc Godard, Ane Hjort Guttu, Hamedine Kane, Kateryna Lysovenko, Asier Mendizabal, Peter Nestler, Daniela Ortiz, Valerie Osouf, Gunilla Palmstierna Weiss, Christoffer Paues, Samuel Richter, Lenke Rothman, Lina Selander, Peter Weiss.

If we want to take on art, literature, we have to treat them against the grain, that is, we have to eliminate all the concomitant privileges and project our own demands into them. In order to come to ourselves, said Heilmann, we have to re-create not only culture but also all science and scholarship by relating them to our concerns. – Peter Weiss, The Aesthetics of Resistance

But who are “we”? And is this still our dream? Can the artworks of the past and the present be convoked for a resistance against the rising fascisms and inequalities of our times? Can culture be a means for community in today’s divided world? In the fall of 2026, Bonniers Konsthall presents a group exhibition that draws on the novel The Aesthetics of Resistance (1975–81), by the Swedish-German author, playwright, and artist Peter Weiss. The exhibition features newly produced works by an international group of artists; historical works and documents from Weiss’s circles and the novel’s world; and a program of lectures, performances, film screenings, and conferences, starting already in the Spring.

The Defeated: The Aesthetics of Resistance 2026 is curated by Kim West (researcher and critic. Stockholm); François Piron (curator, Paris); and Joanna Nordin (Artistic Director Bonniers Konsthall).

Further information is available here.



www.bonnierskonsthall.se

Torsgatan 19, 113 21 Stockholm

Cues serves as an intermittent venue run by Anton Halla and Annie Åkerman, hosting a variety of presentations centered around the scenario of a bar. Based in a residential cooperative in central Stockholm, it operates in a basement that echoes its former use. The programming consists of artistic responses to using its premises both as backdrop and as a site for informal encounters. Activities have no fixed format or duration and cater to the preferences of each invited guest.

https://www.instagram.com/cues.cx

https://www.cues.cx

OPENING HOURS
Saturday: 17–18


DURING THE FESTIVAL


During September Sessions, Josefin Arnell’s screening is presented in collaboration with Cues and IASPIS. Details can be found above under the dream baby dream .

Please check Cues's website and social media for their September programming and exhibitions.

Filmform (est. 1950 in Stockholm) is one of the oldest organizations in the world devoted to video art and experimental film. Originally an independent film co-op, it was later re-organized into a foundation and is now the most important driving force for artists’ moving images in Sweden, working with archiving and distribution. Filmform is an important intermediary between independent filmmakers and governmental agencies and is often engaged as an advisor to and resource for museums, galleries, universities, and festivals. Constantly expanding, the distribution catalogue spans from 1924 to the present, including works by Sweden’s most prominent artists and filmmakers within the field of moving images.

Filmform’s origin is in the post-war generation of artists that experienced the cinema as a new and expanding creative field. In film, personal expression, free from the regulations of convention, could maintain its independence. Artists' films – and later videos – made it possible to connect to the world and to modern times. Filmform has been the hub of artists' films and videos for several decades. Artists like Viking Eggeling, Peter Weiss, and Gunvor Nelson have been important in this process, and new names are merging into the collection continuously. It is a beautiful coincidence that the first film planned when the association was formed in 1950 was titled Vision. The vision of artists’ moving images is under constant review. Works from Filmform are available to rent for public screenings and exhibitions as well as for educational purposes.

OPENING HOURS
Friday: 9:30–16:00


DURING THE FESTIVAL


Friday 11.9, 9:30–16:00
Filmform Open House: Breakfast & Presentation for Curators and Scholars

Filmform invites you to an exclusive presentation of their collection and resources for curating and learning on Friday, September 11th. Filmform and its distribution catalogue will be presented in detail, alongside a selection of newly acquired and restored works. This event is primarily intended for curators, writers, researchers, producers, programmers, scholars, and educators. Artists are also welcome to attend.

Schedule:
— Doors open at 09:30
— In-depth presentation 10:00–12:00
— Open house for drop-in meetings 12:00–16:00

A light breakfast will be served.Please RSVP to info@filmform.com to secure your seat and make a reservation for the morning presentation.If you are interested in previewing full-length films and videos from the catalogue, please contact andreas.bertman@filmform.com to receive online screener links to specific works, as well as recommendations based on your research and area of interest. If you’re unable to attend the Open House during September Sessions, don’t hesitate to reach out to Filmform for individual physical or online meetings at a separate occasion.

www.filmform.com

Svarvargatan 2, 112 49 Stockholm

Fylkingen is an artist-run, nonprofit association for experimental music and art. Founded in 1933, it is one of the world’s oldest forums of its kind.

More info: www.fylkingen.se/sv/p/about

OPENING HOURS
Friday–Saturday: 19:00-01:00

DURING THE FESTIVAL


Friday 11.9 & Saturday 12.9, 19:00–01:00
Fylkingen ABF Opening
TICKETS

After several years of work of finding a permanent venue for their organization, the move is finally happening! Fylkingen looks forward to welcoming you to their new location at Sveavägen 41 with a two-day festival.

During the weekend, they present a varied program with performances, concerts, international and local artists, DJ sets, and newly commissioned music – highlighting Fylkingen's role as a unique place for interdisciplinary expressions and celebrating that the centre of Stockholm gains a new venue for experimental music and art.

Friday 11.9: Opening day 1

20:00 Concert: Brenda el Rayes21:15 Concert: Ange Halliwell dream baby dream22:30 Concert: Yara Asmar
23:15 – 01:00 Jean-Paul Tremont (DJ set) + Bar
Short intermissions with DJ sets in the bar between acts

Full information on Friday’s programme here.

Saturday 12.9: Opening day 2

20:00 Concert: Luka Aron
21:15 Concert: Maria W Horn
22:30 Concert: Ka Baird
23:15–01:00 Ophelia (DJ set) + Bar
Short intermissions with DJ sets in the bar between acts.

Full information on Saturday’s programme here.

https://www.fylkingen.se/

Sveavägen 41, 11134 Stockholm

IASPIS is the Swedish Arts Grants Committee’s International Programme for Visual and Applied Arts. The programme is aimed at professional artistic practitioners within, for example, visual arts, crafts, design, illustration, architecture, spatial and urban practice.

IASPIS programme include residency programmes in Sweden and abroad, public programmes in Sweden and internationally, publications, expert visits programmes, regional and international collaboration programmes, and an archive.

IASPIS programme aims to contribute in various ways to developing and deepening international contacts between practitioners, organisations, audiences and markets and in this way contribute to artistic development and improved job opportunities.


OPENING HOURS
Saturday: 17-18

DURING THE FESTIVAL


Saturday 12.9, 17:00–18:00
Screening: Josefin Arnell [dream baby dream]

During September Sessions, Josefin Arnell’s screening is presented in collaboration with IASPIS and Cues. Details can be found above under the dream baby dream programme.


www.iaspis.se

Maria Skolgata 83, 118 53 Stockholm

Index – The Swedish contemporary art Foundation has a history of more than 40 years behind it. Firstly, with a focus on photography and publishing, and for the last 25 years with contemporary art as its cultural sphere.

Index has multiple public roles as an art institution: We are a platform for artists and for audiences. We understand that the role of an art institution like Index does not begin and end with an exhibition – instead there is an ongoingness to the activities, research processes, learning programs and relationships between Index, artists and audiences. Index works with an artistic conceptual approach that aims to carve out space and time for criticality, dialogue, curiosity and building discursive situations that develop the role of art today. The size of Index is “human” and the contact with its visitors is defined as a permanent dialogue. Being placed at the center of Stockholm helps Index to be understood as a key institution and node within contemporary art networks.

OPENING HOURS
Thursday: 17–20
Friday: 12–18
Saturday-Sunday: 12–16


DURING THE FESTIVAL


Thursday 10.9, 17:00–20:00
Opening: RECANTATION – Ruby Nilsson

Opening 10 September, Ruby Nilsson’s exhibition ‘RECANTATION’ transforms Index into a theatrical setting for her new video installation.

The exhibition at Index is in many ways a conceptual continuation of Ruby Nilsson’s recent solo RESPAWN, (presented at Inkonst, Malmö, in February 2026) and her ongoing work with dark poetics of trans misogyny. The shift from performance and the context of the stage towards a dramatisation of the exhibition space opens up possibilities for Nilsson to play with dramaturgy through a different set of spatial, textual and temporal parameters.

Ruby Nilsson (SE, b. 1993) is an artist and writer whose work explores how sexual difference is staged through aesthetics of enmity. Across several works, transsexualism functions as an interface of sexual stigma through which hatred, antagonism, and hostility reach their most absurd expression. As a recurring visual strategy, she employs the black box as both a site and a source of theatricality, emphasizing how sexual differentiation is veiled by speculation, fiction, myth, and conspiracy. Nilsson’s work spans performance, video installation, curation, and writing. Her projects unfold as extended series of intricate worldbuilding that together operate as closed systems of investigation, often expanding and evolving with each new installment.

Deeply influenced by her initial training in philosophy, her practice is marked by a strong engagement with text, voice, and orality, particularly the complex language models and vernacular worlds that trans and queer people create as forms of survival and community-making. Inspired by and intertwined with these nano-cultures, her work heightens the visceral, complex, and witty styles and tonalities they produce as tools of endurance.

https://indexfoundation.se

Kungsbro strand 19, 112 26 Stockholm

Konsthall C is a public work of art, an urban renewal project and an art institution located in a former communal laundry in Hökarängen. The objectives of Konsthall C are to lead socially engaged practices, support new curatorial and artistic experiments, and contribute to discussions on justice, democracy, and urban development.

OPENING HOURS
Thursday-Sunday: 12–17

DURING THE FESTIVAL


Friday 11.9 & Saturday 12.9, 12:00–17:00
Guided Tour: The Hand That Tells, The Hand That Waters – Maxime Hourani – Exhibition Tour and Participatory Performance

The exhibition The Hand That Tells, The Hand That Waters presents newly commissioned work from artist Maxime Hourani, wherein he conjures sacred and profane apparitions encountered in the Sinaitic desert. In addition to a speculative filmic survey, he presents a sound installation with newly created liturgical idiophones and instruments inspired by Eastern and Latin rites.

During September Sessions, Mariam Elnozahy will offer a tour of the exhibition The Hand That Tells, The Hand That Waters, elaborating on the contextual framework behind the exhibition. At the end of the tour, participants will be guided through a performance where they will activate the instruments on display in the exhibition, creating a symphony of sounds.

Maxime Hourani is an artist working with time-based media, exploring themes of landscape transformation and shifting ecologies. His previous research focused on 19th-century Arab futurism to question the existence of posthuman thinking at the turn of the Industrial Revolution. He also worked on the theme of "petromodernity" and the influence of the 1970s oil crisis on architectural technology. His work has been shown recently at Malmö Konstmuseum, Istanbul Biennial, and Skēne.

https://www.konsthallc.se

Cigarrvägen 14, 123 57 Farsta

Konträr is a subscription-funded independent stage for contemporary performance in Stockholm. Konträr presents world premieres, international guest performances and new artistic formats. The subscription model makes it possible to work long-term and internationally — outside the logic of ticket sales. Through co-productions, residencies and annual showcases, Konträr strengthens the international presence of Sweden’s independent performing arts scene.

OPENING HOURS
Thursday: 21–22
Friday: 21–22

DURING THE FESTIVAL


Thursday 10.9 & Friday 11.9, 21:00–22:00
I’M JUST A SYMPTOM OF MORAL DECAY – Marie Karlberg
TICKETS

The year is 2089, and most of the world has been burnt to a crisp. Survivors embrace servitude for subsistence. In one household, Loosey (Marie Karlberg) has a compulsive need for sex – a new social norm. She keeps two servants: GiGi (Jaana-Kristiina Alakoski), loyal to the bitter end, and Poor Boi (Sigrid Windolf), an apathetic and rebellious alcoholic who can’t stop singing a song that came out in 1975.

A show at KONTRÄR, a subscription-funded independent stage for contemporary performance in Stockholm. Following Thursday’s performance, join us for a post-show bar hosted by KONTRÄR and September Sessions.

Marie Karlberg (b. 1985) is a Stockholm-based artist whose practice moves between film, performance and installation. Through playful but precise stagings, she examines everyday gestures, relationships and social structures.

https://kontrar.se

Östgötagatan 33, 116 25 Stockholm

Liljevalchs belongs to the City of Stockholm and was inaugurated in 1916 as the first public art space for contemporary art in Sweden. Today, Liljevalchs stays true to its founding intentions of nurturing an art institution of national and international status, showing the most relevant contemporary art. The original building was designed by architect Carl Bergsten and is located on the scenic Djurgården in Stockholm. The new extension Liljevalchs+ was completed in autumn 2021, designed by architect Gert Wingårdh in collaboration with glass designer Ingegerd Råman.

OPENING HOURS:
Thursday: 11–20
Friday–Sunday: 11–17


DURING THE FESTIVAL


Sunday 13.9, 13:00–15:00
Participatory Performance: Choose the way ritual - Ylva Snöfrid

During this immersive performance inside Ylva Snöfrid’s exhibition The House of the Muses, the Choose the way ritual is activated. The visitors are invited to enter and go through the artist’s paintings, where a choice between two possible paths is to be made: the pink, which leads to The Dream Rite, or the grey, leading to Dystopia. It all begs the question: What kind of world do we want to see?

Ylva Snöfrid is known for her performative works, pushing the boundaries of painting; within Snöfrid’s ritualized world, everything revolves around painting that moves between figuration and matter. Her artistic process often takes place in communal rooms and collective rituals, where she takes on the role of a mediator between work and reality. In 2017, she performed a “transmutation ritual” in which she became one with her twin soul Snöfrid.

Ylva Snöfrid has been based in New York, Berlin, Athens and Stockholm. She has exhibited extensively around the world in numerous large exhibitions and site-specific works, including Istanbul Biennial, Performa in New York, Palais de Tokyo, Swiss Institute in New York, Institut Suédois in Paris, Bonniers konsthall and Kunsthal Charlottenborg in Copenhagen.

https://liljevalchs.se

Liljevalchs+, Falkenbergsgatan 3, 115 21 Stockholm

MDT Moderna Dansteatern is a platform for contemporary dance and choreography, located on Skeppsholmen in Stockholm. With a theatre and studios at its heart, MDT co-produces and presents work by both Sweden-based and international artists. As a space for artistic development, critical discourse, and choreographic experimentation, MDT supports practices that challenge and expand the field of dance.

OPEN HOURS

Saturday: 17:00–00:30

DURING THE FESTIVAL


Saturday 12.9, 17:00–19:00
Performance: TEMPO – Josefina Björk

TEMPO is a bar where the audience is invited to hang out, drink cocktails, sing karaoke, and help prepare for the evening’s after-work. It sounds like a perfectly ordinary bar — but every now and then, something happens and time falls out of sync. Is the music glitching? Is the disco light broken? Has the bartender had a stroke?

You’re standing in the bar queue, increasingly irritated, waiting for a beer that never arrives. The DJ sings a pitch-down version of Fredis Milloinkaan, en löydä samanlaista, and a stranger buys you a drink. The evening ends with a shared after-work buffet featuring tapas.

The performance is free of charge and no ticket reservation is required. Audience capacity is limited, so arrive early to secure your spot. Affordable bar prices. Age limit: 18+.

Josefina Björk is a Swedish artist, performer, and director who works with immersive performance and film, born in Skövde and currently based in Stockholm. Björk’s works often take the form of familiar, but slightly twisted social situations in which the audience and performer form a temporary relation.The situations often examine contemporary cultural dilemmas and the ways in which its associated mechanisms shape our capacities to be in emotional states such as: community, presence, rapture, and trust.

Björk´s work has been commissioned and presented by Göteborgs Konsthall, Moderna Dansteatern, Röda Sten Konsthall, Inkonst, Skogen, Konträr, and Lilith Performance Studio. Alongside her artistic practice, she is a co-founder of Ställbergs gruva and in collaboration with the performance company Poste Restante, she co-directs Back2work. She is also a recurrent guest lecturer at the masters program for Contemporary Performative Arts (University of Gothenburg), Konstfack University of Arts, Crafts and Design, and Gerlesborg School of Fine Art.

TEMPO is a part of September Sessions at MDT. Further information on the performance is available here.

Credits: Concept & Direction: Josefina Björk
Performers and Collaborators: Alexandra Tveit, Majula Drammeh, Josefina Björk, Adde Huumonen
Composition and Sounddesign: Adde Huumonen
Light Design: Christoffer Lloyd
Dramaturgy: Eric Sjögren / Aapo Korkeaoja
Graphic design: Evelina Mohei
Photography: Ekaterina Lukoshkova / Petter Petterson, Lilith Performance studio
Production: Överdrift AB
Supported by: The Swedish Arts Grants Committee, Nordic Culture Point, The Swedish-Finnish Cultural Foundation.
The original idea for TEMPO was developed at Lilith Performance Studio 2024.
Thanks to Anja Bergdahl and Medborgarhuset Hägerstensåsen
Image: Ekaterina Lukoshkova


https://mdtsthlm.se

Slupskjulsvägen 30, 111 49 Stockholm

Mint is a non-profit exhibition space situated in the Workers' Educational Association in central Stockholm, initiated in 2019 by curators Emily Fahlén and Asrin Haidari. Focusing on contemporary art and poetry, Mint is embracing experimental practices, cross-generational encounters and site-specific interventions. As the practice of a museum relates to – and is in dialogue with – its collection, Mint allows its program to be inspired and directed by the history of the building and its events, struggles, organisations and cultural expressions.

OPENING HOURS
CLOSED


DURING THE FESTIVAL


Mint is closed for renovation and will reopen on September 19, more information here.

https://m-i-n-t.se

Sveavägen 41, 111 40 Stockholm

Tensta konsthall was founded in 1998 as a grass root initiative, partly at the occasion of Stockholm being Capital of Europe that same year. Throughout the years, Tensta konsthall has made itself a name as an art space devoted to an international outreach taking place in dialogue with programs and activities with local resonance.

OPENING HOURS
Friday: 17–19
Saturday- Sunday: 12–17

DURING THE FESTIVAL


Friday 11.9, 17:00-19:00
Opening, Remnants ––Ikram Abdulkadir, Simnikiwe Buhlungu, Don Cherry, Kudzanai Chiurai, Nina Cramer och Ellen Nyman, Doug Crutchfield, Salad Hilowle, Ernest Mancoba, Wonga Mancoba

Introduction at 17.30 with Tawanda Appiah, Cecilia Widenheim and participating artists.

Remnants pulls together a poetic constellation of gestures by living and departed artists, where pasts and presents meet in chorus.

What lingers in the archive? What breaths of Black life persist in its folds? What are the aural, visual, and tactile traces that hold both beauty and tension? In the exhibition, we encounter works that resonate with historical memory, resistance, improvisation, and the lived experiences of diaspora and exile. Together, they unfold through the rhythm and sound of jazz music.

Curated by Tawanda Appiah and Cecilia Widenheim. The exhibition had its first iteration in 2025 at HEIRLOOM – center for art and archives in Copenhagen.

Further information available here.

https://tenstakonsthall.se

Taxingegränd 10, 163 64 Spånga